The ally of mercury with gold powder to the surface of the bronze angel

Environmental bronze sculpture in the contemporary expansion of focus from the relationship between people and the environment, between man and nature, the environment bronze sculpture has an affinity for a more humane, making coordination of people and the environment, an important means of natural spatial relationships are more stressed. It can be seen in the treatment of the bronze sculpture within the extended space, the epitaxial space and works with the emotional communication space the three relations, environmental bronze sculpture performance: on the one hand the emphasis on body space bronze sculpture of emotional function point . On the other hand stressed that the subsidiary position of the extension of space relative to the epitaxial space bronze sculpture. Gilt art applied on the bronze had taken place in the Warring States Period.
In fact, in the creative process in the environmental bronze sculpture, the sculptor first environment, the idea of the order of the bronze sculpture had instructions of the status of the extension of space within the sculpture on the overall expression. Of course, in the creation of bronze statue, we have been emphasized within the extended space and extension of space and co-unified. The industry of the bronze ran to the peak until the Han.  All times and there are many examples to prove it. For example, the ancient pyramids of Egypt and sub-Fox (the Sphinx), the Secretary show in the desert wilderness of mystery and majesty of momentum. Building here, chinese bronze organic and the environment together, it is the unity of the three coordinate the pyramid to a unique geographical and cultural characteristics of the perfect image, last forever retained in the memory of people. The most good at the right place at the right time, the financial landscape and natural landscape in one of the Chinese grotto art.
Their yard, from west to east, into the winding at several peaks that profound momentum involves both Chinese and foreign cultural exchanges, geographical, ethnic and age characteristics. Caves with its characteristics of all forgetting, embracing its aesthetic structure - life aesthetic universe aesthetic, epistemological, and ethical order of the characteristics of highly uniform, therefore, in Grottoes limited space, resulting in the boundless breadth and depth, all-encompassing, Buddhism country Wan infinite realm. "Losana Giant Buddha, Longmen Grottoes, the Fengxian Temple than ten meters high, sitting along the rock-cut shrines, statues of Buddha, Big Five, King Kong Buddhist order discrete the side. When people along the run up to climb the stone steps to the Buddha with a single step on the platform, eagerly looking at that solemn, serene face, can not help but experience the world seems to disappear between people Buddhism and days with a detached sense of . Gilt technology of the bronze in ancient times was also known as “painting gold”.
Another example, in the modern environmental sculpture process, we not only be familiar with the local environment to surround this bronze sculpture, but also familiar with the entire city environment, to fully understand and master the city's history, traditions, culture and future direction . From the many bronze dragon we see the creator of the efforts in this regard, and strive for the overall conception and planning in the creation of the bronze sculpture within the extended space and extension of space, in order to achieve and co-reunification is the goal. It was to paint the ally of mercury with gold powder to the surface of the bronze angel. British Henry? Moore is one of them. Moore loved their works on the natural environment, under the blue sky and white clouds. Special preference for this environmental choice depends on the performance characteristics of the extension of space within the content of their works.