Mysterious and uncontrollable miraculous images were engraved on the bronze sculpture

The Sui and Tang The heyday of ancient sculpture and arts development in China - Dunhuang, the Maijishan the Bronze Buddha Statue, Tang 18 Mausoleum of carved stone, Luoyang Longmen Stone Buddha embodies the fine art of modeling. from the Five Dynasties and Ten Kingdoms until the end of the Qing Dynasty, with the urban industrial economy development, as the plastic arts of sculpture the gradual secularization. In the early Shang and Zhou, the ability of making bronze was not strong enough. sculptures and paintings of the Tang Dynasty have been rare big Bodhisattva sculptures and paintings of the theme of "change" the increasing number of Song after the sculpture reflects the world of reality - the stone carvings of Dazu in Sichuan, Shanxi Jinci Shuanglin bronze, the Maijishan the Song plastic, are filled with the breath of the human drama of the Ming and Qing novels mostly describe the secular human sculpture of this period has been better than during the Qin Tang and prosperous.
 Mud painted sculpture and small sculptures began to rise into the earth, into the family, thus, the US's entire outlook on the same kind of human deification, the kind of superior refined, elegant Rambler the aristocratic become approachable and easy to understand and representatives of the North sculpture in the Late Qing Dynasty is "Clay Figure Zhang" Clay Figure Zhang works painted sculptures. "plastic" and "painted" - "Clay Figure Zhang" painted sculpture of artistic features of "Clay Figure Zhang" painted sculpture art based on the myth, drama, fiction and real life, not only through the "mold" and "painted color image of the performance figures, but" with the class of Color "depicts the character in, demonstrating the breath of modern life. not only close to the daily emotional, but a combination of traditional Chinese literary lyric and line art. They sensed that all natural things around would affect the bronze.
Depicted is the reality of the marketplace of life; Zhang Mingshan, the first generation, second generation of Zhang Yuting, the fourth generation of Zhang Yue all has composed the theme. "Fisherman and the Woodcutter" (Zhang Mingshan as) not only reminds us of Shao Yong's "Fisherman and the Woodcutter and the Kong Shangren" Peach Blossom Fan "in the" Fisherman and the Woodcutter "- the former by fishing Qiao Q, to illustrate the world the truth of things; the latter by Liu Jingting and Su Kunsheng dialogue, tells the fate of the nation due to sense of grief, which revealed that the life of the illusory sense: the purpose and significance of life there? As a result, the animals on behalf of nature were portrayed on the bronze.  Then finally comes down to Hermit Fisherman and the Woodcutter - and through the plastic and painted to show it to us is not an ordinary life in the Fisherman and the Woodcutter, but the two meet, the opposition "retirement official," the scholar.
Bronze Clay Figure Zhang painted sculptures focus on shape, focus on the characterization of character. Rodin and grid race child of a conversation, said: "I tell you an important secret. this Venus, like the former, we felt the impression of real life, do you think is how to ? - from the knowledge of the "shape" the works of "Clay Figure Zhang" is a manifestation of this knowledge, this is the work of "Clay Figure Zhang" show a strong sense of life. Mysterious and uncontrollable miraculous images were engraved on the bronze sculpture. They capture the moment of live figures between the dynamic and carved figures inherent character, coupled with applied color plastic like Zhang Mingshan Yan Zhen-like "Yan Renbo as" very accurate characterization of these two works of Xu Beihong in 1933 in mainland magazine commented.