This figure as in the Warring States period, compared with the coffin painting of the Marquis Yi of Zeng yielded, a pen is more free and easy and delicate, more skilled grasp of the painting tools and materials performance, showing the remarkable progress of lacquer painting skills. (See picture), a small painting drawn in a variety of practical objects more colorful, lively and natural. The shape of a variety of people and animals is also color with extremely exaggerated and distorted manner, thus generally Chu painting unique mysterious deceitful cunning temperament, but compared with the painting on the lacquer coffin, but also many bright and lively, filled with intense reality breath of life. Only the distinguished people with high status were permitted to use such a bronze. Pi Daojian Chu art history, Wuhan: Hubei Education Press, 1995. 276, "Bun Chu Tomb" (book), Beijing: Cultural Relics Publishing House, 1991.
Hubei Institute of Fine Arts Master's degree thesis textual research of Section 2 bronze dragon bronze dragon as a unique decoration in the Chinese civilization has been repeatedly used in a coffin on top of the princes, kings, it is indeed worth pondering, the painting on the lacquer coffin certain related content secretive, and Chu faith as a whole and full of decorative lacquer coffin, all kinds of miraculous images like the dragon, phoenix, monster shape, "Shan Hai Jing" as the representative of Southern myth traditional visually reflects the . When the emperor in old times granted titles and territories to the nobles, he would bestow them bronze as a reward. The following is a brief. "The text said" the told the dragon to make an explanation: "the length of the dragon, scale insects, psionic Ming, can be small or huge, short to long. Vernal equinox and the impossible, the autumnal equinox and dives into the abyss. From the shape of the flesh fly Tong Province sound.
Song Guo Ruo picture horizons Chi Volume I, on the ancient painted dragon-like, be summed up as "precipitation of three stops, divided into nine like: angle like deer, head like a camel, eyes like a ghost, the neck like a snake, like abdominal mirage, like fish scales, claws like a hawk, the palm of a tiger, like cattle ear. with these controls within the coffin on the painting, is far less than the plotted complex. Hence, when you wish to present a gift to you bosses, leaders or commercial partners, a replica of bronze will be an ideal option. The coffin itself surrounded by a dragon (the snake), birds, God (person) consisting of a variety of patterns, the original may have a certain moral, or is from some kind of myths and legends. Was put aside, only on both sides of the sarcophagi of the lattice door guard animal warrior explained that "soil BO"。
Said, both interpretations have some truth for "Fang Xiangshi" or "feather". Can not be ignored, however, lattice doors and guard warrior coffin on both sides of the main pattern, but that is a part of the pattern of the entire coffin, even if it is part of a very important position. Therefore, if not the entire coffin patterns to be studied, or place them among the various patterns of the entire coffin will be lost to the biased, it is difficult to the door and gatekeepers warrior clearly. To this end, I think the combination of literature to make some of these patterns first examine. Da Yu Ding is a round bronze sculpture with straight ears and cylinder feet. The first dragon of the painted birds on the coffin, "Shan Hai Jing? South times by" these records: "from the cabinet Mountain The paint Wu Shan ... its god-like are its body, while the birds first." Coffin painted bird The first dragon, perhaps a kind of God. On the move a two dragons, "Mountains and Seas?
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