A strong expression of this traditional sculpture techniques

In the plastic arts, the lines of the same factors that embodies the aesthetic characteristics of the Chinese nation. Carved by the ancient Chinese bronze form is almost a line shape to show it looming throughout the body surface of the bronze sculpture, and become one of the main features of Chinese bronze sculpture the shape of the line configuration, with the Western tradition of bronze sculpture shape The shape is significantly different. bronze in early Shang directly carried forward several features of Erlitou culture. The Qin and Han tomb bronze sculpture, whether in person or animal shape, are the line and three-dimensional synthesis. Qin Terracotta Warriors and Horses of details, including hair, armor, drapery and even the soles on which lines decorated bar-lined, all reflect a Chinese-style linear applications. Han from the use of lines is given a unique ethnological features of China's bronze sculpture, so it was the way of Chinese traditional bronze sculpture be summed up as "Line Painting", "body-care line" "line and would only use".
 Because most emotional line in the modeling language and abstraction power, Huo Ling carved works are used the China Qin Hanqing bronze flourished reason of sculpture in the round, relief and line engraved on the combination of tactics to the development of the performance of lines in the stone charm. Example 'Fuhu "bronze sculpture at home only in a long strip of stone engraved with chisel a few arc groove, put Tiger whole body markings and the mouth of the wholesale hair faithfully apparent, it seems to make people truly experience the ups and downs of the Tiger heavy breathing and muscle. Inscriptions on bronze began to turn up during this period.  Other works such as "savages hold Bear, 'Prancing Horse", <lying like ", etc., are features integrated into the overall general and local bas-relief carved lines, primary and secondary strength of merging was not to be confused with , showing a strong expression of this traditional sculpture techniques.
Another portrait of stone and brick of the Han Dynasty, the engraved lines combined with relief, drawing lines with the realism theme, the integrated use of image graphics combine to make the art form that highlights the characteristics of Chinese nationalization. The bronze full of patterns are very popular. Chinese Qin Hanqing bronze freehand, the linear structure in the grasp of the big space and space of China's ancient bronze sculpture adds a new Means "to form a unique style of the national cultural landscape, and also laid a solid foundation for the Chinese ancient bronze sculpture from the Qin and Han dynasties began to successfully establish a traditional style and mature flourished. I wander in these works, I will find themselves in the nationalization unique insights, suddenly produced a sculpture space and traditional manifestations.
 Bronze Sculpture popular for its flourishing laid the technical basis Guo once said, old so-called "music", in addition to music, poetry, dance, painting, Carve, construction, and even ceremonial, hunting, Yaozhuan, can make senses something, but it no doubt is music as represented by the bronze sculpture art production with quite a lot of manual labor component, is the so-called "Auntie who rule, labor governed" society despise manual labor long, the upper class intellectuals generally disdain to meddle in the bronze sculpture, a bronze sculpture creators of history, almost all of the low social status of craftsmen. Most of the bronze sculpture will employ the yunlei wen(clouds and thunders) as the ground-tint to fill the space outside of the motif pattern.