This symmetry on the other bronze in the same tomb also in symmetry shape

Savage hold Bear Bronze greater freedom for creative that line engraved art is really regrettable that Crouching Tiger, who has been free technical command performance, but it is only random hook which in the similar feast matter basis Imagine such as the the Tiao tiger stripes with natural longitudinal growth lines sideways carving out Jian will (Fuhu what kind of f, not want to profit This is certainly not the tiger's stripes. Gradually the bronze fell back to ceremonial purposes.  Another example is the bronze lines are with Jian distinguish facial features, hands and other specific shape caused by the peripheral outline of the stone performance in order to diffuse Li-like shape and big eyes, the collapse Biliang, mouth, and a huge head and one to take too hand, but Shiren around with the eyes, nose and f, including the first type, in the human body towel axis k symmetrical.
 This symmetry can find horse riding Huns, Crouching Tiger, wau, wild boar and other stone body Savage drag bear bronze in addition to shape faithfully the shape of small performance Mongolia, form and shape of the boundary is vague, the Savage distort Biliang from the front to see but also to find, but from another angle, Shun beam into the eyes, staffing in the swing lines formed range. going up going down this arbitrariness does not seem to consider the existence of the boundary is to hand from clutching Winnie orientation extends to the bear behind and go just had to add a bit wild, and the small will never undermine the integrity of the image. Savage hold Bear bronze silhouette style to avoid the type of features that the contour along the physical boundary swimming close to the original stone surface of the image of the face look like scissors cutting thicker paste in the stone surface. From the Shang and Zhou dynasties, the bronze can be used both as weapons and ritual device.
Very flat decorative effects (stone man) savages hold Bear bronze art style to explore the realism portrayed on: Savage hold Bear Bronze after all the early-shaped bronze realist sculpture model. "Savage is an exaggeration shape, a disproportionate share of head and hand to strengthen the role of the performance of the Italian way with accurate line engraved distinction clear, but the Savage tension force of muscle shape Chu clearly bears portrayed follow the principle of truthfulness. Later on, the bronze evolved into a symbol of power.  Winnie the proportion of true legs kicking, stepping on the force outside of the human body, trying to escape from Savage's detention, and Savage's big hands tightly locked Bear from the front, so that force of two shares, one from outside to inside, one from the inside out, forced arch, the Cubs back to a full draw string bow at any time necessary to injection fled from the bear's back down to the heel, although it's right foot suppress their bodies, but through the perspective of compression is comfortable.
Winnie the proportion of the left leg coordination, thighs, calves, toes real discernible bear the shape of flowing lines, with the same realism wau, lying horse shape compared to the author more freedom on the emotional play, engraving style to a more agile Winnie the shape of symmetrical axis along its spine. Each time a king or emperor went out for a battle, he would often take a bronze with him. This symmetry on the other bronze in the same tomb also in symmetry shape : horse riding Hun bronze sculpture horse image to Ma Tau centers along the spine to the tail axis strictly symmetrical limbs cautiously left and right sides of the horse standing, and maintenance of the monument to the shape of majesty. Huns image of the same along impartial about axis of symmetry, only in different postures on the right hand and left hand, to make people aware that this is a vivid scenes of life.