Public participation is the basis of ecological bronze sculpture. Culture is the property of the public and the public must be involved in the management by the public. Should give priority to the protection of cultural tourism and cultural preservation conflict. Quote a wonderful statement of Mr. Li Zehou to describe bronze sculpture. Cultural heritage can not be sold, but should encourage the production and traditional souvenirs. Long-term and historical planning is always the most important damage to the long-term culture of short-term economic behavior must be stopped. Protection of cultural heritage must be integrated into a comprehensive environmental protection. In this regard, the traditional craft techniques and materials is a must.
Tourists should have a moral obligation to respect by the behavior, visit the Code of Conduct should be given to the tourists. Look at famed bronze sculpture in Shang and early Zhou. Ecological Bronze Museum no Bible, according to their own unique cultural and social situation, various ecological Bronze Museum has a different point. Bronze museum in a living community (village) the establishment of ecological, social development is a prerequisite. Without prejudice to the traditional values based on the need to improve the standard of living of the residents live here.
I will provide these principles to the General Assembly, as a tool for understanding and promoting development, not just to maintain the ecological bronze statue. We must always bear in mind that is not enough set up. Mature management and proactive economic and investment in human resources, will still come to naught, it will disappear death. Check out the thunder patterns all over the chinese bronze sculpture, the kui dragon and kui phoenix intertwined taotie design.
In April 2001, the Mr. Jester Long, untimely death. With this project is a great loss. The four villages are Mr. Jester Long, planted a memorial tree, he set a stone monument. In 2000, me and him, and his wife, traveling with his great personality in the travel, in case there is no verbal communication, and the villagers to maintain good communication. His body language and gestures can make many friends. In March 1999, following the Minister's visit to Guizhou, I heard many people talking about the the Jester dragon spirit ". The beauty of the bronze dragon does not rely on the vigorous lines of the image rather than the high-relief decorations express an infinite primitive emotion.
Since this experience, I have this project with a deeper understanding of the Chinese side asked me to instead of Jester Dragon to do this technical adviser. From the point of artistic style, the ritual bronze sculpture represented by ding is kind of beauty consisted of the art characteristics. Although I am not the Bronze Museum scientist, but I am engaged in the protection of cultural heritage. Protection of buildings is a very important part at this stage. In September 2002 and February 2004, I inspected the progress of the project, and discussed with relevant parties. Here, I talk about the previous four ecological bronze angel of thinking, I want to make some basic explanation.
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