Innovation on the "characteristics" or "invested" selfless, whether it is a breakthrough in the "exchange" or "survival" on the meaning behind this series of bronze sculpture worthy of the people to cherish and mining. Bronze Museum are not historical or natural remains matter accumulation place of the modern sense, but should be a deep heritage of social and cultural institutions. Regardless of the builders who, Bronze Museum undertake a survival of the historical and cultural heritage of social responsibility. Rather than keep it himself to show his loyalty, he sold this particular bronze sculpture. Under the collection, protection, management and display the history of the original fracture fragments may Lianzhui Cheng a complete history of the chain, and thus gave rise to endless insights and inspiration. Before in time, everyone is passing, bronze Museum is passing the fragments collected, to restore the truth, recall to those who warned the newcomers. In this sense, the Bronze Museum are both old friends the story was born, and also this thing of today and the future. Social responsibility is the life of the Bronze Museum.
Bronze Museum Tucked away in the memory, but it should not be silent for the elderly. When the audience came to the Bronze Museum, should not they see is a list of still life, but should be a section of vivid stories behind the truth. Bronze Museum and the audience as an "open system", there should be exchange, the audience doubts, resentment, surprise, all the reactions, adjust and improve the grounds are Bronze Museum. An old, rigid form of bronze statue, after all, people snub demise. However, Zuo did not store the bronze sculpture up but transferred it to Pan Zuyin. Thus, full of vitality and Bronze Museum are often both the cabinets of the people's memory is a node of the people in real life.
The annual Chinese New Year I have to write something, write down my hope. This year, I wrote the subject of the social responsibility of the Bronze Museum is entrusted with my expectations. Why say bronze museum of social responsibility topics, bronze museum of social responsibility is increasingly indifferent to the utilitarian sense of the increasingly strong. Of course, this is not the Bronze Museum unique phenomenon in a market economy, cultural sense of responsibility is generally ignored. Why did Zuo give the chinese bronze to Pan on earth? Not long ago, eight writers, literary critic discussions technology era literature, they exclaimed pragmatism values the impact of the technology era with the creation of serious literature marginalized in literature as a whole, appeal to the literary value of the regression.
Jia Leilei art critic in the "entertainment to faint," the article explains the (U.S.) Neil Postman book "entertainment to death," a book of the subject, pointed out that the endless entertainment and entertainment without borders, we will lose the meaning of life and value. This is a Chinese cultural calling the sound of the value of rational, people are worried about the instrumental rationality over-expansion of the culture to faint. Zuo had not forgotten Pan’s help when in trouble and knew his favorite hobby was to collect the relics of metal and bronze dragon. Bronze Museum of what? International bronzes in the museum world as early as the sixties and seventies of the last century, in France, appeared in some people shout the social responsibility of the Bronze Museum, to arouse the purpose of discussion of Bronze Museum, which is later formed a pioneer in ecological bronze, museums, sports and new bronze angel museology movement.
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